Christopher Nolan’s latest film is a masterpiece that draws its strength from its multiple perspectives, non-linear narrative, and its relative lack of dialogue.
In the age of fanfiction, literary conspiracy theories and all the rest, do authors’ still have the final say in how their books should be interpreted?
As part of their attempt to edge out competition, Netflix is introducing shows where viewers can dictate the plot. But what does that mean, and will it work?
Not all villains are simply black and white, and in fact, many of the worst villains seem innocuous at first glance. But among those, who are the worst?
We’re always told not to judge books by their covers, but how else do we decide how to buy them? (I mean, besides the obvious of asking someone who has read it).
In school, students are told to use complex vocabulary, but in reality, many writers try to use simple words, like Ernest Hemingway. What other things are kids told about writing that contradict real life?