Animated films are just as good as their live action counterparts. Why is it, then, that animation rarely ever gets recognised alongside live action films?
Over the years, there has been a growing disparity in profundity between children’s books and children’s shows. This is a problem. On screen, when we feed our young ones with inanity, we starve them of thoughtful entertainment and do them a disservice. But what can we do about it?
Christopher Nolan’s latest film is a masterpiece that draws its strength from its multiple perspectives, non-linear narrative, and its relative lack of dialogue.
Not all villains are simply black and white, and in fact, many of the worst villains seem innocuous at first glance. But among those, who are the worst?